Archival Imaginations

Archival Imaginations

2022-2023
About Archival Imaginations

Archival Imaginations defined the concept of the “archive” as a mode of inquiry, invention and knowledge production. Archival Imaginations asked how the study of existing, emergent or imagined archives can help us to better understand critical societal challenges.

Archival Imaginations troubled static notions of context and singular histories and interrogated established canons, conventions and norms that sustain certain archives and ways of knowing, remembering and narrating. Archives, curatorial and display practices are places where official narratives and records cast certain genealogies, narratives and peoples to the foreground. Archival Imaginations therefore highlighted not only dominant configurations of historical memory and knowledge production but also how archives reveal the gaps, fissures and incompleteness of the record, enabling more diverse understandings of the past, present and future.

Archival Imaginations was not limited to the study of historical records but also considered social practices such as spoken language, gesture and rituals as dynamic parts of cultural and historical memory. In this way, the theme engaged modes that expand existing archives and compel the creation of new ones.

Faculty Fellows

  • Franco Barchiesi
  • Harmony Bench 
  • Melissa Curley
  • Alcira Dueñas
  • Molly Farrell
  • Brian Harnetty
  • Julia Keblinska
  • Crystal Perkins
  • Martin Ponce
  • Michelle Wibblesman

FACILITATORS
Wendy S. Hesford
Mytheli Sreenivas

Graduate Team Fellows

  • Andrea Armijos Echevarria
  • Noah Bukowski
  • Lorna Closeil
  • Emily Kaniuka
  • Ishmael Konney
  • Mariah Marsden
  • Camille Snyder
  • Damayanti Ticari

MENTORS
Harmony Bench
Leigh Bonds

Undergraduate Apprentices

  • Angela Ciarochi
  • Lauren Dahler
  • Emily Lay
  • Cameron Logar
  • Rheanna Velasquez

MENTOR
Michelle Wibbelsman


Programming and Resources

Programming brought together scholars, artists, activists, and archivists to explore the concept of the “archive” as a mode of inquiry, invention, and knowledge production. Troubling static notions of context and singular histories, the year’s Digital Dialogues and workshops provide an opportunity to explore established canons and conventions that sustain certain ways of knowing and remembering and the incompleteness of the historical record.